the force of gravity is more palpable on some days than on others
Author: Michaela Gerussi
Course: MFA Creative Practice
Year: 2021
Keywords: Affect, Creative process, Improvisation in dance, Nervous system, Scores, Somatics,
This thesis describes the author’s multi-modal artistic Practice as Research (PaR) which inquires into the complexities of how we sense ourselves. Through embodied and reflective approaches, it considers affect and self-regulation of the nervous system as they intersect with her improvised dance-making practice. It follows a methodology which uses primarily somatic selfreflexivity in movement and stillness, and which generates further open questions rather than searching for conclusive answers. The researcher uses a subjective positionality to integrate insights from her dance practice with related concepts explored in the fields of affective neuroscience, Biodynamic Craniosacral therapy and other somatic therapy modalities. A significant outcome which has emerged out of the research practice is ‘The Protocol,’ an expanded preparatory process and multi-staged score. With a particular attention to the nervous system, The Protocol acts as a framework within which to investigate the research inquiry from a subjective, experiential perspective.
Keywords: scores, self-regulation, affect, felt-sense, improvisation, dance-making
dc.contributor.author | |
dc.date.accessioned | 2021-12-13 09:00 |
dc.date.copyright | 2021 |
dc.identifier.uri | https://researchonline.trinitylaban.ac.uk/oa/thesis/?p=2413 |
dc.description.abstract | This thesis describes the author’s multi-modal artistic Practice as Research (PaR) which inquires into the complexities of how we sense ourselves. Through embodied and reflective approaches, it considers affect and self-regulation of the nervous system as they intersect with her improvised dance-making practice. It follows a methodology which uses primarily somatic selfreflexivity in movement and stillness, and which generates further open questions rather than searching for conclusive answers. The researcher uses a subjective positionality to integrate insights from her dance practice with related concepts explored in the fields of affective neuroscience, Biodynamic Craniosacral therapy and other somatic therapy modalities. A significant outcome which has emerged out of the research practice is ‘The Protocol,’ an expanded preparatory process and multi-staged score. With a particular attention to the nervous system, The Protocol acts as a framework within which to investigate the research inquiry from a subjective, experiential perspective. Keywords: scores, self-regulation, affect, felt-sense, improvisation, dance-making |
dc.language.iso | EN |
dc.subject | Affect |
dc.subject | Creative process |
dc.subject | Improvisation in dance |
dc.subject | Nervous system |
dc.subject | Scores |
dc.subject | Somatics |
dc.title | the force of gravity is more palpable on some days than on others |
thesis.degree.name | MFA Creative Practice |
dc.date.updated | 2024-05-02 04:47 |