Search

Holding Safe: How Sensorial Responses to Episodic Memory Communicate Embodied Testimony and Foster Kinaesthetic Empathy in Performance

Somatic practices as a pedagogic tool to embody salsa music during improvisation and performance: A study of the Irene Miguel Method

Where walking meets dancing: A methodological approach in partnership with the city landscape

Examining body memory: How a series of durational improvisations showcase the dynamic relationship between the experience of moving and the physical manifestations of movement

the force of gravity is more palpable on some days than on others

The Immanent Body. Exploring how concepts of the phenomenology of perception can aid in creating a greater sense of being present in dance performance.

Me, Myself and I; an investigation into how pre-conceived notions of self can limit performance potential. Are habitual movements within an improvised performance a product of self-imposed limitations based on an erroneous set of ideals?

Object / image / self : navigating consciousness : an improvisational practice

Improvisation techniques for choreographic composition