The distorted storyteller: A study on autognosis in choreographic practice / Julia Gyulai (2020)
Julia Gyulai
The distorted storyteller: A study on autognosis in choreographic practice
Thesis, 2020
Vibrating from Within: Towards a transdisciplinary artist / Hui Chen (2020)
Hui Chen
Vibrating from Within: Towards a transdisciplinary artist
Thesis, 2020
How Contemporary Dance Training Programmes Available in Higher Education in the United States and United Kingdom Develop Creative Dexterity in Dancers / Shannon Oleson (2020)
Shannon Oleson
How Contemporary Dance Training Programmes Available in Higher Education in the United States and United Kingdom Develop Creative Dexterity in Dancers
Thesis, 2020
Remembering Touch: A Practical Investigation into the Role of Touch and Proximity in Performance and Beyond. / Greta Gauhe (2020)
Greta Gauhe
Remembering Touch: A Practical Investigation into the Role of Touch and Proximity in Performance and Beyond.
Thesis, 2020
Laughter in dance: A look at the relationship between laughter, sound and movement / Tuesdae Houston (2020)
Tuesdae Houston
Laughter in dance: A look at the relationship between laughter, sound and movement
Thesis, 2020
body melts, a somatic approach to the body on and with ice. Questioning the existing practice & expectations of Figure Skating / Maja Luther (2020)
Maja Luther
body melts, a somatic approach to the body on and with ice. Questioning the existing practice & expectations of Figure Skating
Thesis, 2020
A Kinematic Analysis of the Fouetté Rond de Jambe en Tournant / Karen Ferry (2020)
Karen Ferry
A Kinematic Analysis of the Fouetté Rond de Jambe en Tournant
Thesis, 2020
Re: Sense – A choreographic and philosophical journey through the senses / Iris Athanasiadi (2020)
Iris Athanasiadi
Re: Sense - A choreographic and philosophical journey through the senses
Thesis, 2020
A note to myself. An empirical exploration on the physical experiences of the solo performer to question and re-language how embodiment can be experienced. / Thomas Withington (2020)
Thomas Withington
A note to myself. An empirical exploration on the physical experiences of the solo performer to question and re-language how embodiment can be experienced.
Thesis, 2020
