Me, Myself and I; an investigation into how pre-conceived notions of self can limit performance potential. Are habitual movements within an improvised performance a product of self-imposed limitations based on an erroneous set of ideals?
Author: Sophie Halstead
Course:
MA Dance Performance
Year: 2019
Keywords:
Improvisation in dance,
Practice research,
Self,
Self perception,
Abstract
Me, myself and I is a first-person investigation into sense of self within improvised performance and how this correlates with presence. My goal has been to develop a practice within which individual movement habits and performance tendencies could be uncovered and recognised. The research includes extensive practice-based improvisational research. This is in combination with an analysis of factors which contribute to self-perception and behaviour; assessing how these can influence improvised performance. My findings were shared in a practical presentation; in which I disclose developments made in my practice. This was communicated through demonstration of my improvisation, alongside verbal analysis and explanation of the significant discoveries made.
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Metadata
| dc.contributor.author |
|
| dc.date.accessioned |
2019-12-09 09:00 |
| dc.date.copyright |
2019 |
| dc.identifier.uri |
https://researchonline.trinitylaban.ac.uk/oa/thesis/?p=1279 |
| dc.description.abstract |
Me, myself and I is a first-person investigation into sense of self within improvised performance and how this correlates with presence. My goal has been to develop a practice within which individual movement habits and performance tendencies could be uncovered and recognised. The research includes extensive practice-based improvisational research. This is in combination with an analysis of factors which contribute to self-perception and behaviour; assessing how these can influence improvised performance. My findings were shared in a practical presentation; in which I disclose developments made in my practice. This was communicated through demonstration of my improvisation, alongside verbal analysis and explanation of the significant discoveries made.
|
| dc.language.iso |
EN |
| dc.subject |
Improvisation in dance |
| dc.subject |
Practice research |
| dc.subject |
Self |
| dc.subject |
Self perception |
| dc.title |
Me, Myself and I; an investigation into how pre-conceived notions of self can limit performance potential. Are habitual movements within an improvised performance a product of self-imposed limitations based on an erroneous set of ideals? |
| thesis.degree.name |
MA Dance Performance |
| dc.date.updated |
2019-12-09 10:34 |
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thesis.degree.level
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APA
Halstead, Sophie. (2019). Me, Myself and I; an investigation into how pre-conceived notions of self can limit performance potential. Are habitual movements within an improvised performance a product of self-imposed limitations based on an erroneous set of ideals? (Masters’ theses). Retrieved https://researchonline.trinitylaban.ac.uk/oa/thesis/?p=1279