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Enhancing creativity by training metacognitive skills in mental imagery

Thinking Skills and Creativity
Jon May, Emma Redding, Sarah Whatley, Klara Lucznik, Lucie Clements, Rebecca Weber, John Sikorski, Sara Reed
Journal Article, 2020

Good Pain, Bad Pain: Dancers, Injury, and Listening to the Body

Dance Research
Jen Tarr, Helen Thomas
Journal Article, 2020

Mindfulness and contemporary dance students’ preperformance preparation (PPP): an exploration of the efficacy in using Mindfulness to support student contemporary dancers’ embodied presence / David Waring (2017)

David Waring
Mindfulness and contemporary dance students’ preperformance preparation (PPP): an exploration of the efficacy in using Mindfulness to support student contemporary dancers’ embodied presence.
Thesis, 2017

The Utopian Ensemble: Collaboration and Emergent Creation

Dance As Research
Dr Guy Harries
Conference Proceeding, 2020
Journal of Popular Music Education
Heyman, L., Perkins, R., Araújo, L.S.
Journal Article, 2019

Fit to Perform: A Profile of Higher Education Music Students’ Physical Fitness

Frontiers in Psychology
Araujo, L. S., Wasley, D., Redding, E., Atkins, L., Perkins, R., Ginsborg, J., Williamon, A.
Journal Article, 2020

Choreographic Assemblage and a Multiplicity of Creativity / Rosamond Martin (2019)

Rosamond Martin
Choreographic Assemblage and a Multiplicity of Creativity
Thesis, 2019

William Forsythe’s ‘deconstructive’ choreography. An analysis of Kammer/Kammer (2000) and we live here (2004) by Ballett Frankfurt / Daniela Perazzo (2004)

Daniela Perazzo
William Forsythe’s ‘deconstructive’ choreography. An analysis of Kammer/Kammer (2000) and we live here (2004) by Ballett Frankfurt
Thesis, 2004

Measuring an embodied reaction: Is surface electromyography a suitable method of measuring kinesthetic empathy interaction as an embodied concept? / Alishea Fernyhough (2019)

Alishea Fernyhough
Measuring an embodied reaction: Is surface electromyography a suitable method of measuring kinesthetic empathy interaction as an embodied concept?
Thesis, 2019

The Immanent Body. Exploring how concepts of the phenomenology of perception can aid in creating a greater sense of being present in dance performance. / Hattie Harding (2019)

Hattie Harding
The Immanent Body. Exploring how concepts of the phenomenology of perception can aid in creating a greater sense of being present in dance performance.
Thesis, 2019