Möbius devices. An inquiry on sound, soma and technologically mediated performance practices / Laura Colomban (2021)

Möbius devices. An inquiry on sound, soma and technologically mediated performance practices

Author: Laura Colomban

Course: MFA Creative Practice

Year: 2021

Abstract

Möbius Devices interrogates the tensions between somatic, sonic, and cyclical processes in a space of collaborative mediation with technological devices.

The research explores the potential dissolution of boundaries through amplified listening experiences, to cultivate interconnectivity, proximity and intimacy in a performative arena. Engaging with a somatic approach to voice through cyclical methodologies, this thesis illustrates the personal journey of a rigorous and disciplined practice of wondering, where the continuous questioning has been at the base and at the end of a self-generative process of creation.

The practice generated methodologies of amplified sensing, creative computational writing as collaborative process between humans and technological devices, creating a space for shared agency, as a medium for liveness, real-time composition, to foster the conditions for the uncensored self and the unconscious collective to develop and unfold.

As a Möbius strip, which has no end and no beginning, the research is still alive and generates questions as propellers for new beginnings.

Keywords: RSVP Cycle, performance practice as research, somatic practice, sound studies, synchronicity, inter-relationality, cyclical processes, amplified sensing, headphone listening, feedback loop, technological mediation.

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Metadata

dc.contributor.author
dc.date.accessioned 2021-12-13 09:00
dc.date.copyright 2021
dc.identifier.uri https://researchonline.trinitylaban.ac.uk/oa/thesis/?p=2425
dc.description.abstract

Möbius Devices interrogates the tensions between somatic, sonic, and cyclical processes in a space of collaborative mediation with technological devices.

The research explores the potential dissolution of boundaries through amplified listening experiences, to cultivate interconnectivity, proximity and intimacy in a performative arena. Engaging with a somatic approach to voice through cyclical methodologies, this thesis illustrates the personal journey of a rigorous and disciplined practice of wondering, where the continuous questioning has been at the base and at the end of a self-generative process of creation.

The practice generated methodologies of amplified sensing, creative computational writing as collaborative process between humans and technological devices, creating a space for shared agency, as a medium for liveness, real-time composition, to foster the conditions for the uncensored self and the unconscious collective to develop and unfold.

As a Möbius strip, which has no end and no beginning, the research is still alive and generates questions as propellers for new beginnings.

Keywords: RSVP Cycle, performance practice as research, somatic practice, sound studies, synchronicity, inter-relationality, cyclical processes, amplified sensing, headphone listening, feedback loop, technological mediation.

dc.language.iso EN
dc.title Möbius devices. An inquiry on sound, soma and technologically mediated performance practices
thesis.degree.name MFA Creative Practice
dc.date.updated 2021-11-25 03:01

Coming soon: dc.type thesis.degree.level dc.rights.accessrights
APA
Colomban, Laura. (2021). Möbius devices. An inquiry on sound, soma and technologically mediated performance practices (Masters’ theses). Retrieved https://researchonline.trinitylaban.ac.uk/oa/thesis/?p=2425