A practice as research embodied movement exploration in understanding the meaning and resilience of my body as a dancer / Choi Leung (2023)

This exploration delves into the profound impact of physical practices and avant-garde generalities on the geography of contemporary cotillion fastening on Skinner Releasing Technique (SRT), Authentic Movement Practice, Butoh, and Antonin Artaud’s’ Theatre of Cruelty, the study offers inestimable perceptivity into how these rudiments have revolutionised the way hop engage with their bodies, feelings, and cult. SRT, with its emphasis on pressure release and breath/ movement connections, has surfaced as a foundation in contemporary cotillion. The findings reveal a substantial addition in hop’ tone- mindfulness and creative discourse, performing in an enhanced range of stir and suggestive fluidity during performances. Authentic Movement Practice emerges as an important tool for tone-expression, enabling hop to genuinely convey their inner gests and feelings, forging a genuine connection with the cult. Butoh, formed in Japan, is a trailblazing cotillion form that transcends artistic boundaries. Through its slow, controlled movements interspersed with unforeseen bursts of energy, Butoh offers the cult an indelible experience, provoking a myriad of feelings and studies. The study shows that Butoh elicits different responses from observers, encouraging deep soul-searching and contemplation among movers. Antonin Artaud’s’ Theatre of Cruelty challenges conventional theatrical morals, immersing observers in a sensitive and emotional hassle. This avant-garde approach, examined across genders, demonstrated its universal appeal, stimulating intellectual engagement among manly and womanish actors. It can evoke profound contemplation and cognitive involvement across different followership demographics. Inclusively, these elements have reshaped the silhouettes of the contemporary cotillion. The emulsion of physical practices and avant-garde generalities has readdressed how hop engage with their bodies, feelings, and cults. This exploration serves as a stepping gravestone for further disquisition of this witching art form, offering avenues for unborn creativity, authenticity, and study-provoking gests for the cult of contemporary cotillion. The study illuminates the transformative eventuality within the confluence of physical practices and avant-garde generalities, propelling contemporary cotillion into new realms of cultural expression and tone-de-discovery.