Evoking the sublime: Absence and presence in live electroacoustic performance
Guy Harries
Interference
2014
The aesthetic, artistic and creative contributions of dance for health and wellbeing across the lifecourse: A systematic review International Journal of Qualitative Studies in Health & Well-being
Chappell, K., Redding, E., Crickmay, U., Stancliffe, R., Jobbins, V. & Smith, S.
International Journal of Qualitative Studies in Health & Well-being
2021
Performing arts as a health resource? An umbrella review of the health impacts of music and dance participation
McCrary, M., Redding, E., Altenmuller, E.
Plos One
2021
Editorial
deLahunta, S., Rittershaus, D., & Stancliffe, R.
International Journal of Performance Arts and Digital Media
2021
Differentiating (an)notation practices: an artist-scholar’s observation
Stancliffe, R.
International Journal of Performance Arts and Digital Media
2021
Classical soloists’ life histories and the music conservatoire
Tim Palmer, David Baker
International Journal of Music Education
2021
Associations between static and dynamic field balance tests in assessing postural stability of female undergraduate dancers
Clarke, F., Koutedakis, Y., Wilson, M., Wyon, M.
Journal of Dance Medicine & Science
2021
Opera, devising and community: A creative and pedagogical methodology
Guy Harries
International Journal of Community Music
2021
NEXUS: Live Notation as a Hybrid Composition and Performance Tool
Prof Sam Hayden & Prof Mieko Kanno
INTERNATIONAL CONFERENCE ON TECHNOLOGIES FOR MUSIC NOTATION AND REPRESENTATION (TENOR)
2020
