Möbius devices. An inquiry on sound, soma and technologically mediated performance practices
Author: Laura Colomban
Course: MFA Creative Practice
Year: 2021
Möbius Devices interrogates the tensions between somatic, sonic, and cyclical processes in a space of collaborative mediation with technological devices.
The research explores the potential dissolution of boundaries through amplified listening experiences, to cultivate interconnectivity, proximity and intimacy in a performative arena. Engaging with a somatic approach to voice through cyclical methodologies, this thesis illustrates the personal journey of a rigorous and disciplined practice of wondering, where the continuous questioning has been at the base and at the end of a self-generative process of creation.
The practice generated methodologies of amplified sensing, creative computational writing as collaborative process between humans and technological devices, creating a space for shared agency, as a medium for liveness, real-time composition, to foster the conditions for the uncensored self and the unconscious collective to develop and unfold.
As a Möbius strip, which has no end and no beginning, the research is still alive and generates questions as propellers for new beginnings.
Keywords: RSVP Cycle, performance practice as research, somatic practice, sound studies, synchronicity, inter-relationality, cyclical processes, amplified sensing, headphone listening, feedback loop, technological mediation.
dc.contributor.author | |
dc.date.accessioned | 2021-12-13 09:00 |
dc.date.copyright | 2021 |
dc.identifier.uri | https://researchonline.trinitylaban.ac.uk/oa/thesis/?p=2425 |
dc.description.abstract | Möbius Devices interrogates the tensions between somatic, sonic, and cyclical processes in a space of collaborative mediation with technological devices. The research explores the potential dissolution of boundaries through amplified listening experiences, to cultivate interconnectivity, proximity and intimacy in a performative arena. Engaging with a somatic approach to voice through cyclical methodologies, this thesis illustrates the personal journey of a rigorous and disciplined practice of wondering, where the continuous questioning has been at the base and at the end of a self-generative process of creation. The practice generated methodologies of amplified sensing, creative computational writing as collaborative process between humans and technological devices, creating a space for shared agency, as a medium for liveness, real-time composition, to foster the conditions for the uncensored self and the unconscious collective to develop and unfold. As a Möbius strip, which has no end and no beginning, the research is still alive and generates questions as propellers for new beginnings. Keywords: RSVP Cycle, performance practice as research, somatic practice, sound studies, synchronicity, inter-relationality, cyclical processes, amplified sensing, headphone listening, feedback loop, technological mediation. |
dc.language.iso | EN |
dc.title | Möbius devices. An inquiry on sound, soma and technologically mediated performance practices |
thesis.degree.name | MFA Creative Practice |
dc.date.updated | 2021-11-25 03:01 |